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"Loose Change" by Liu Dao "Lipstick and Old Heroes" by Liu Dao "Precisely the Amount of Feathers" by Liu Dao "How and Why the Car Moves" by Liu Dao "Manifest Destiny and Gas Prices" by Liu Dao
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"Manifest Destiny and Gas Prices" by Liu Dao
TITLE "Manifest Destiny and Gas Prices" (天命和天然气价格)
KEYWORDS Perception / Experience | 观念 / 经验
ARTIST Liu Dao 六岛
MEDIA LCD screen, Chinese papercut (Jian Zhi 剪紙), paper collage, IR sensor, 8-bit microcontroller, media player, teakwood frame
EDITION Unique
DATE Made in island6, Shanghai 2014
SIZE 103.5(W)×103.5(H)×7.5(D) cm | 41(W)×41(H)×3(D) inches
TECH SPECS INPUT 100-240V AC • (DELL) S2440L LCD screen
• HD120 media player • E3Z-D62 • Arduino Uno
• 1×MWLPV20-5 (INPUT 100~240VAC@0.55A / OUTPUT 5V@3A)
• 1×MWLPV20-12 (INPUT 90~264VAC@0.55A / OUTPUT12V@1.67A)
• 1×DJ-U48S-12 (INPUT 100~240VAC@1.0A / OUTPUT 12VDC@3.3A)
WEIGHT UNCRATED: 35 kg | 77 lb • CRATED: - kg | - lb
CRATE SIZE 114(W)×114(H)×18(D) cm | 45(W)×45(H)×7(D) inches
EXPOSURE “Hybrid” curated by HONDA (Kenta Torimoto)
CREDITS Katrina Louy 卡萨琳娜 & Mark Mehanni (performance) • Tang Dashi 汤大师 & He Dashi 贺大师 (Chinese paper cutting 剪紙) • Thomas Charvériat (art direction & technical guidance) • Adrian Tyus (video documentation) • Jiang Linping 江琳萍 (video assistant) • Jean Le Guyader (documentation) • Yeung Sin Ching 杨倩菁 (production supervisor) • Mark Mehanni (casting)
BLURB

How do you, personally, think about cars? Usually has a lot to do with where you grew up. (Very) generally speaking, if you grew up in a western culture you likely have images of the car as fast play-thing and/or a slight extension of your personality. I am reckless and young and thus I have a Mustang or I value normalcy and safety and as a result I drive a non-descript brown Volvo. This is not exactly the Asian way to think about a car. Again speaking in (irresponsibly vast) generalities; for most young people in Asia a car is like a small starter home. The first toe dipped into the warm but choppy waters of independence and personal responsibility. A car is the first chance that most young adults have (in any culture) to get laid on their own accord. The end of relying on the absence of others before you do the dance. A wonderfully tiny traveling bedroom. Ask any guy who has (or had) a car between the ages of sixteen and twenty-one. It is a traveling, tryst inducing love machine that operates on gasoline and high hopes. And most of us wouldn’t have it any other way than that. [Ryan Nimmo]

你个人,是如何看待车的?你的看法通常跟你长大的地方有密切的关系。一般来说(概论),如果你是在西方文化影响下长大,你有可能会认为车是可快速移动的玩具,或者是你个人性格的小小张显。我年轻又不羁,所以我得有一辆福特野马;你看重低调与安全,基本款棕色沃尔沃更适合你。但亚洲思维方式下,车并不是这样被考量的。这么说可能过于概括:在亚洲,对于大多数年轻人来讲,车像是个可移动的小型居所。拥有辆车让你初次尝到乐自立和承担个人责任感的滋味。这感觉让人感觉既温暖又兴奋。拥有辆车同时也开启了可以在自己的地盘上翻云覆雨的成人生活(适用于任何文化)。想要约会之前,再也不会有先清除在场者的担心。车是个绝佳的小小移动卧室。不信的话,问任意一个在16-21岁拥有(过)一辆车的男子。车是天然气和对未来的高度期望驱动的移动幽会场所+催情机器。而对于我们其他大多数人来说,车的用途也就这样了吧。

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island6 is a philanthropic project founded by artists and managed by devoted creative staff. The spirit & driving force behind all of island6's works and art-forward exhibitions is collaboration.
六岛是由艺术家自发创立, 由创作人员管理的公益艺术机构。其精神是为艺术家提供平台并支持各项协作项目。